Yamaha LS-9
16 or 32 top-performance recallable head amplifiers deliver microphone and line sources with extraordinary presence and realism. An additional 16 or 32 channels of processing power ready to receive audio via the Mini-YGDAI expansion slots, providing a total of 32 or 64 channels! 4 stereo input channels. An extensive range of channel functions accessible via Yamaha's acclaimed Selected Channel interface. Versatile bus architecture with comprehensive digital patching capability: 16 mix buses, 8 matrix buses, and a stereo and mono bus that can be used in LCR mode. Virtual GEQ and effect rack offers easy access to built-in graphic equalization and effects that would fill a full-size rack or two if similar analog gear were used. Built-in USB Memory Recorder/Player eliminates the need for an external device for simple off-board recording, and can supply background music and sound effects as required. Full-console scene Store and Recall. Ready to use out of the box with pre-patched effects and pre-fader aux mixes for monitor sends. One or two Mini-YGDAI slots for easy system expansion. Compact size 480 x 220 x 500 and 884 x 220 x 500 weigh only 12 and 19.4 kg, respectively.

DSP5D Digital Mixing System
The DSP5D provides essentially all the functionality of a PM5D-RH minus the control surface in a rack-mountable unit that can be seamlessly controlled from a PM5D (RH) console. In terms of I/O capacity and processing capability the DSP5D offers:
48 mono and 4 stereo inputs
24 Mix buses, 8 Matrix buses
24 Omni Outputs
Full channel functionality: gain, EQ and filters, dynamics, sends
8 effect processors and 12 graphic equalizers
2 Mini-YGDAI expansion card slots
Full compatibility with DSP5D Editor computer software
The ability to function as a remote stage box via the DCU5D

Digital Cabling Unit
Up to two DSP5D units can be used with a single PM5D console. A PM5D plus one DSP5D gives you 4 input fader layers, with a total of 96 mono and 16 stereo input channels, while adding two DSP5D units to a PM5D provides 6 layers with 144 mono and 24 stereo input channels to comfortably handle large-scale applications. And of course your processing power is doubled or tripled, respectively. Like the PM5D itself, all analog inputs   and outputs are directly accessible via standard XLR type connectors.

After a few simple connections the DSP5D becomes an integral part of the PM5D console, and can be controlled from the PM5D control surface in the same way as the internal functions. So although you have significantly upgraded the system, you can simply plug in your sources and output devices and use it right away without having to work through another learning curve.

Yamaha PM-5D-RH
On the surface the PM5D may look like a streamlined 24-channel console, but it is actually much, much more: a total of 130 input connections, simultaneous mixing of up to 64 inputs to stereo or LCR stereo, and 24 mix buses with extraordinary versatility, all with 500-scenes of total recall. Plus you have the equivalent of several racks full of first-rate processing gear onboard (56 Gates, 92 Comps, 97 Delays, 12 GEQs and 8 units of SPX2000 class multi effects).

AVID VENUE SC48

Fully integrated console offers built-in I/O for stage and ancillary sources, DSP, and tactile control for ultimate portability

Compact footprint fits small- to mid-size clubs, houses of worship, theaters, corporate events, and more

First-rate VENUE sound quality provides amazing audio clarity in any room

Supports professional audio plug-ins for creating studio-quality mixes live

Pro Tools LE FireWire interface and software included for audio recording and playback system connection

VENUE D-Show® software, the industry’s easiest, most comprehensive control software

48 analog mic/line XLR inputs, 16 analog line outputs (expandable to 32)

Single expansion slot for maximizing output count or adding A-Net® connectivity

16 Aux Sends, 8 Groups, plus 8 mono matrixes (linkable as up to 4 stereo matrixes)

Choice of Left-Right plus Mono or Left-Center-Right Mains bus configuration

26 touch-sensitive, motorized faders: 16 input, 8 output master, 1 Flex Channel, and 1 Mains

16 assignable, push-switch rotary encoders with multi-segment LED rings enable immediate access to key parameters

Additional I/O, including talkback, analog and digital 2-track, GPI, MIDI, and Word Clock